[Burichan] [Futaba] [Greygren] [Plusle]  -  [Home] [Manage]
/mtv/ Music, Television & Film Archived Board plus4chan home [baw] [co/cog/jam/mtv/tek] [ck/coc/draw] [pco/coq] [a/mspa/op/pkmn] [Burichan/Futaba/Greygren/Plusle]
[Return] [Entire Thread] [Last 50 posts] [First 100 posts]
Posting mode: Reply
Name
Email
Subject   (reply to 31384)
Message
File
Password  (for post and file deletion)
  • Supported file types are: GIF, JPG, PNG
  • Maximum file size allowed is 7168 KB.
  • Images greater than 200x200 pixels will be thumbnailed.
  • Currently 1676 unique user posts.

File 132690423450.jpg - (132.61KB , 960x540 , 771e0191a89498688009de9e94956d7f.jpg )
31384 No. 31384
Wow.

He CAN be taught.
Expand all images
>> No. 31385
The bastard dares to whine?
>> No. 31386
THANK

FUCK
>> No. 31388
He said he'd make more "stuffs" if the fans wanted moar. Wait... wait... that was Indiana Jones... Ok Lucas is an emo.
>> No. 31389
Indy 5 is about the Bermuda Triangle by the way.
>> No. 31390
>>31389
The Bermuda Triangle full of aliens?
>> No. 31391
Its one of the reasons why he's so hands off with the Clone Wars series and has basically given it the ability to become a replacement canon for Episode 3.
>>31390
Nah its going to be into the '70s so its going to be cannibals
>> No. 31394
File 132693141643.jpg - (83.27KB , 800x580 , OldIndy.jpg )
31394
>>31391
The 70s? Damn.

That makes me feel like Indy'll have already lost the eye.
>> No. 31395
>>31394


It'll be eaten by cannibals. Although I'm largely joking from the routes that George has gone I'd not doubt it being something like that (check cinema sob for more on the era of Italian Cannibal Cinema)
>> No. 31398
>>31384
Does he expect me to pity him?
>> No. 31399
You can all go fuck yourselves.
>> No. 31400
>>31399
Calm down George.
>> No. 31401
Everybody? More like a minority of hardcore Star Wars fans who argue if Han Solo shot first. The majority don't really care, they just enjoy being entertained by a good Star Wars movie.
>> No. 31403
>>31399
Can I do it with his shattered career?
>> No. 31406
>>31401
> they just enjoy being entertained by a good Star Wars movie.

And we haven'tgotten one of those in several decades.
>> No. 31408
George, just stop.
Just. Stop.
>> No. 31413
>>31406
merely your opinion
>> No. 31414
I...I kind of liked the prequels, and this news saddens me.
>> No. 31415
>>31414

Really, I think I'm apathetic to the prequels and Lucas in general.

I'm actually kinda happy for him, he had his time in the sun, he fell from it sure, with the grace of a bull in a china shop no less, but he didn't lose anything.

He's set for life, living the dream, he's got a nice woman, huge property and lots of money.

It's good, he can retire one the smiles he made instead of shitting in a shoe box under the freeway from browns that caused frowns.

He was just a little guy with big ideas who had some incredible people refine those ideas into something so incredible it's not going anywhere...after that they let him do what he wanted and so instead of a refined gem we got ground meat that was left to sit too long in the warm Lucas mind juices.

So yeah, I bear him no ill will, he got the image and though not gracefully he is bowing out.
>> No. 31421
George, you went into those prequels acting like you did Star Wars all on your own and that was never true. There was no Kurosawa in them, you took out the space samurai in these films and gave us tiresome galactic CSPAN.

I'm starting to wonder if that's what was missing from these films. If AK lived a few more years and churned out an action film, Lucas would have something to get the ball rolling in his head.
>> No. 31422
>>31413
as is
>>31401
>> No. 31423
>>31406
Box Office performance: 2,422,470,654$
A lot of people disagree with you.

>All six films will be re-released in 3-D
Hurrrr
>> No. 31424
>>31423
>Good
>Popular
You should know this by now.
>> No. 31427
>>31421

He couldv'e done Seven Samurai with Jedi... fuck that'd have been a great film. I know it's already had a Western Remake (literally) but come on!
>> No. 31428
He's only known for Star Wars and Indiana Jones. Yet he gained so much fame and monies that he's the most powerful independant director/producer in Hollywood land.
>> No. 31430
>>31428
No, also American Graffiti.

And most of that money he's sitting on is from establishing special effects (Lucasarts) and audio engineering (THX) studios that became the standards of their fields in the 80s.
>> No. 31432
>>31428
And he's only known for those because he had people around him willing to filter out the crap he thinks up and only film the couple really good ideas he had.
>> No. 31668
Star Wars Ep 1. Kids Featuretteyoutube thumb
*shudder*
Eugh.
>> No. 31677
Grrrrr... Rivals the Holiday Special on WTF.

The Dog Strikes Back: 2012 Vol…youtube thumb
>> No. 31681
Am I the only one who just doesn't care about Star Wars any more?
>> No. 31682
>>31681
It's not like anyone who actually doesn't care would have to announce it all the time. So, no. You're not the only one. You are NEVER the only one.
>> No. 31683
>>31677
Volkwagon: Hitler Founded, Darth Vader Approved.
>> No. 31685
>>31682
Whoa there man.
I was just wondering.
No need to get rabid.
>> No. 31686
>>31681
I care about Star Wars. I can watch all six movies without raging. I can't stand the Clone Wars series, though. I think it's borderline offensive to people that invested so much time into the series and expanded universe. Also, it's boring.
>> No. 31705
>>31681
I cared about it when I was a kid. Passionately so. Which is especially surprising since I was born a year after the first trilogy ended. Its pop cultural might was so all-encompassing that you just became a fan through osmosis.

Now? It's been a preciously long time since I was excited by an upcoming Star Wars project. And I don't think this is me getting old, either, since many of us became fans because our parents were fans. I'm still a geek in most other respects. And when you think about it, how many kids do you know who adore everything Star Wars, above and beyond any other fictional universe.

The problem is, Star Wars doesn't seem to care all that much about the stuff surrounding the original trilogy anymore. And that's a problem, because the original trilogy had clearly defined goodies and baddies, and you could pick sides and scrap. The prequels are a bunch of clones facing off against a bunch of androids over a manufactured conflict that's all a smokescreen for a budding dictator and who gives a shit? I'm seeing precious little reason why Star Wars should continue to be popular if it's giving almost nobody what they want.
>> No. 31707
>>31705
Yea around the time of the prequels and the beginning of the NJO novel stuff is when I stopped caring about the whole thing..because they stopped caring. I mean when literary decisions are based upon A. Killing the "Family Dog" shows that this is serious bizness...yea that was the reason Chewbacca was killed off in the books (which made him showing up in the prequels and another hard kick to the nards). B.Killing off the GRANDSON of the Character in the prequels only because SOMEONE (you know who) thought that people reading both the novels and watching the prequels would get confused even though THEY DON'T EVEN HAVE THE SAME LAST NAME..yea. Stuff like that shows they don't give a flip.
>> No. 31810
HA HA HA....no.

http://movies.yahoo.com/news/why-star-wars-prequels-better-original-trilogy-160300514.html
>> No. 31812
File 132904672936.jpg - (4.12KB , 103x128 , sinestro wut.jpg )
31812
>>31810
Fucking Yahoo.
>> No. 31813
File 132906372871.jpg - (40.05KB , 209x305 , 1158439232649.jpg )
31813
>>31810

"The difference is that the original trilogy appealed directly to the simplistic moral perspective of an America above reproach and always on the side of right in global geopolitics, whereas the much more subversive prequel trilogy stands in defiant counterpoint to the much more dangerously simplistic moral absolutism of the Age of Bush."

Editors, please, don't try too hard with making political subtext for something that SUCKS and is BAD.

Seriously, "Revenge of The Sith" is really unconvincing as a story about "fall of democracy", AFAIK Plinkett got it right: everyone is damn blind or stupid in that movie, and everything is an excuse for pimping out Darth Vader as "Space Jesus" bringing "balance to the Force".

End of Rant
>> No. 31816
>>31810
Hahahahahahahah NO. I like all 6 movies, but, I hold the original trilogy SO MUCH higher than the prequels. The prequels have so many numerous flaws. Yeah, I still watch them and enjoy them, but, not as much as, say, Empire. But honestly? I enjoy them almost more than the second half of Jedi.
>>31705
>The problem is, Star Wars doesn't seem to care all that much about the stuff surrounding the original trilogy anymore. And that's a problem, because the original trilogy had clearly defined goodies and baddies, and you could pick sides and scrap.

All of this. I miss all the merch, EU, and games dedicated to that era of Star Wars, it hurts. I seriously HATE the clone wars. The cartoon is bad, the reasoning behind the war is bad. I miss bad-ass characters like Kyle Katarn and The Rogue Squadron. But, then again, do we really want the people running the Star Wars business even touching that area of the mythos? Say what you will about Lucas, these aren't HIS shitty ideas lately, he's not writing Clone Wars. He 'okays' the ideas and stories, but, he's not the 'phantom menace', here. (fuck you, that phrase works here). He's like a shitty president and we're being fed shit by a horrible senate and congress. What I want is for someone new to get their hands on the franchise and see what it can do again. Stop focusing on the clone wars, for fucks sake. Hell, stop going THOUSANDS OF YEARS into the past for the OLD REPUBLIC. Focus on what made it good in the first place.
>> No. 31817
>>31810
http://contributor.yahoo.com/user/1624/timothy_sexton.html

Why would you post work from this fag?
>> No. 31818
>>31810
>"You guys only hate this movie cause it's too smart for you!"
IT HURTS TO READ
>> No. 31834
>>31816
I think another problem I have with the EU focusing almost exclusively on the prequels and the distant past is that the aesthetic vibe is getting too divorced. It may be silly to say that the original was more 'grounded' when we're talking about Wookies and cloud cities, but it put a lot of effort into establishing that the universe was a real, lived-in place, with its malfunctioning hyperdrives and wretched hives of scum and villainy. The prequel stuff and the world in the Old Republic don't put in nearly as much investment. There are too many curved edges, too many cream-coloured domes and abstract politics. It was always a fantasy world, but nowadays it feels like one of those impenetrable tome epics where the Twoola Orders are engaged in insidious plots to undermine the proud but overmighty Sii-Laks and the text demands that you care a whole fucking lot about these made-up entities in their candy cotton la-la world. This franchise that started as a Flash Gordon action romp is groaning under the weight of lore being heaped upon it.
>> No. 31842
http://www.msnbc.msn.com/id/46240597/ns/local_news-san_francisco_bay_area_ca/t/how-george-lucas-may-erase-star-wars/

Be afraid.
>> No. 31843
>>31842
Eh it wouldn't erase it as much the show would be one of the Star Wars what ifs.... Like Indy finding the crashed Falcon and Hans corpse. Course I do remember something about him saying that the Clone Wars series basically rewrites Revenge of the Sith because he admitted it was crap. So maybe there is some merit to this. I'd rather have a Rogue Squadron series since the last Space Dogfight series was utter shit (BSG). Heck depending on the era it takes place you could work in a Mark Hamill cameo at some point.
>> No. 31844
>>31842
>Thinking Genndy created Greivous

It's like I'm really on /co/
>> No. 31845
>>31844
http://tvtropes.org/pmwiki/pmwiki.php/Main/MyRealDaddy
>> No. 31846
>>31843
Honestly, I'm fine with the idea of doing a TV series based in an Alternate Timeline where Anakin never became Vader--doesn't erase the original movies from their disks or keep us from enjoying them.

The problem is whether or not it would be a good show on its own merits or not. I have my concerns about whether or not it would be. But I'm naive enough to hold out hope--if nothing else, a TV series means that Lucas wouldn't be the sole writer.
>> No. 31847
>>31846
>TV series means that Lucas wouldn't be the sole writer.

and that is what could make this great.
>> No. 31849
>>31834
You know, when they first introduced the "distant past" there WAS a lot of that same 'lived in' feel to things, and an aesthetic to things that felt unique but simultaneously connected to the 'present'.

It wasn't really until KOTOR that things got so blandly samey- the art design swerved heavily into emulation of the movies. Everything got clean (probably because of the graphics limitations of systems at the time). And because of the whole Jedi or Sith mechanic, there was a whole lot more moral relativism, instead of the more clear cut heroes and villains that introduced the setting.
>> No. 31850
>>31849
You know...I always loved KOTOR...but something that always bothered me and took me out of it was the fact that so much stuff looked the same 4000 years ago.

Like it wouldn't bother me if they just said it was another timeline or even went "When does it take place? Fuck you, that's when."
>> No. 31877
http://www.escapistmagazine.com/videos/view/escape-to-the-movies/5357-The-Phantom-Menace-13-Years-Later

In case you don't like Moviebob (and I don't blame you if you do), his basic consensus is:

a) Phantom Menace gets waaaay too much shit piled on it.
b) It's ultimately little more than a crummy action flick that relies on special effects in lieu of not having a good narrative.
c) getting up in arms and angry over it does nobody nothing anymore so stop acting like there needs to be a huge vendetta against this film.
d) Attack of the Clones is way worse than this and that came in part with him trying to pander to fans.
>> No. 31878
>>31877
>Better than Van Helsing
Naaah.
>> No. 31879
>>31877
>What has it gotten us?

...George eventually quitting?
>> No. 31880
>>31879
though small victory because HE DID NOT LEARN HIS LESSON. YOU ALONE DID NOT MAKE STAR WARS GREAT GEORGE, IT WAS A GROUP WRITING EFFORT THAT MADE IT THAT WAY.
>> No. 31882
You know, for the longest time, I've always heard the 'George has lost his touch' excuse, and only fairly recently, around the time of Indiana Jones 4, have people started pointing out that the original trilogy was a group effort. George took the fame and kept the rights, not only for the product, but for all the toys, spinoffs, books, and everything else he could make money off of. Without the same crew behind the prequels, the quakity changed, but George's mastery over product and advertisment ensured its growth to what it is today.

As for the movie bob retrospect. He should realise that sequels/prequels being compared to their predicesors is a perfectly reasonable way to review them. They are sequels. They're a continuation of the original story and if it fails to meet the standards and expectations set up by the original, it makes sense to take off points.
>> No. 31883
>>31877
I only hate the fact that its being re-released because there is nothing he can add or subtract to make that film anything more than the void it always will be. And it shouldn’t be perpetuated unlike the first three. It just sucks George, give it up.
>> No. 31967
>>31877

It's true that Attack of the Clones is much worse than Phantom Menace, but that doesn't excuse how awful Phantom Menace actually is. I mean, they're both rancid compared to the original trilogy, even to somebody who barely cares about Star Wars like me.

But at least we got Rogue Squadron (even though it's technically more related to A New Hope and Empire) and Pod Racing on the N64 and Jedi Power Battles on the PSX out of Phantom Menace. The fuck did Attack of the Clones give us, besides a bad taste in our mouths?
>> No. 31969
File 133007372198.jpg - (81.59KB , 360x480 , DexterHS-SWE.jpg )
31969
>>31967
>The fuck did Attack of the Clones give us
This guy we all forgot about!
>> No. 31970
WHAT IF "STAR WARS: EPISODE I"…youtube thumb

...This is actually a really good idea.
>> No. 31971
File 133008104189.jpg - (87.36KB , 500x462 , SO AWESOME.jpg )
31971
>>31970
I WANT THAT MOVIE. I WANT IT BAD.
>> No. 31973
>>31967
I don't understand why N64 pod racing is consistently listed as a good thing about Phantom Menace. It's one of the most awful, broken racers of all time.
>> No. 31975
>>31971
I remember the other movie idea I liked was based on a joke on how they thought Obi-wan was Anakin at the start of episode 1 and that could have worked. Anakin getting shat on as being "too old" and Liam Obi-wan coming to his defense and Palpatine being one of the few people in the government that will give him a fare shake that doesn't dismiss him as a wanna be Jedi or something.
>> No. 31978
File 133011599158.jpg - (71.40KB , 639x480 , cry_Vexus.jpg )
31978
>>31970

If only we could make this happen... if only...
>> No. 31982
>>31978

One of the things I'm somewhat DREADING but also somewhat hoping for is Geroge's inevitable death and what will happen to the properties once he's no longer the sole voice of God for the Star Wars universe.

At worst? REBOOT THE ENTIRE MOVIE WITH B-LIST CELEBRITIES PLAYING HAN, LUKE AND LEIA. At best? A re-doing of the prequels films... but better.
>> No. 31983
>>31982

I'd say the latter has a high chance of occurrence given the growing number of 20-30 somethings coming into the Media with a mighty rage boner toward the prequels and their sacrilege of the material.
>> No. 31985
File 133013410584.jpg - (31.13KB , 300x404 , dark-horse-visionaries-darth-maul.jpg )
31985
>>31970
Turns out he did survive, robot legs.
>> No. 31986
>>31983

The problem there might very well be that any reboot prequel films we get might start to feel more like "FUCK YOU"'s to George Lucas than films that should actually be told of the Star Wars universe.

Fan-pandering was one of the reasons the films admittedly sucked. It'd be bad form to be given another chance at doing GOOD THINGS with the Star Wars universe and then abuse that just to appeal to all the angry neckbeards who're raging on Lucas.
>> No. 31987
>>31986
I see some mad enough to bankroll something to erase the blight on the collective memory but with enough sense of what make the first three great to allow for those that understand the creative process that made the first three what they were to do their duty and collectively create something that isn't Lucas and his strange pander to the children ideal.
>> No. 31994
>>31987
"Strange pander to the children ideal"? Dude, Star Wars was made for everyone. You need to be able to attract kids in order to keep the blood flowing in the fan base, not lock it away for the select generation that grew up with the first three at a certain time period. If George was more concerned about pandering to the children of 1999 he would have removed the pointless politics points entirely.

The problem was that he was pandering to himself and acting like that was pandering towards the established nerd armada of Star Wars. He was too focused in the idea that his creative vision is exactly what people wanted to be able to listen to any cohesive criticism that wasn't STAR WARS IS OVER, JARR-JARR IS TERRIBLE, YOU CAN'T DIRECT FOR SHIT ANYMORE; or other common internet vitriol about the prequels.
>> No. 31997
>>31994
Writing things for children is different from pandering to children. The original Star Wars was written for children, too, but it didn't pander to them.
>> No. 31998
>>31997
No? Then what are C3P0 and R2D2?
>> No. 31999
>>31998
His versions of the comic relief peasant sidekicks from a Kurosawa film. http://en.wikipedia.org/wiki/The_Hidden_Fortress
>> No. 32009
>>31999
Um, no. 3PO and D2 are the Greek Chorus.
>> No. 32011
Both comic relief and greek chorus.

They're Timone and Pumba, Guildenstern and Rosencrantz, etc, etc...
>> No. 32012
>>32009
As true as that is, Lucas admitted to the influence/inspiration.
>> No. 32088
http://ralphmcquarrie.com/

Dammit Death..STOP THAT.
>> No. 32089
>>32088
I'm surprised how sad I am.
>> No. 32090
>>31999
This is actually pretty much true. Yes, the character archetypes are inspired by the Greek chorus, but the particular characterizations of R2 and 3PO are very much based on the two peasants. And it doesn't really end there, either - you can take the entire basic structure of Star Wars (that is, the original movie) back to Kurosawa's film, from the peasants being captured and forced into slave work to the menacing general clad all in black to the hidden fortress itself. The entire original film is essentially a remake of The Hidden Fortress, in all honesty. Well, a remake of The Hidden Fortress and Flash Gordon Conquers The Universe.

>>32088
R.I.P. :(
>> No. 32092
File 133091629862.jpg - (45.82KB , 630x477 , hatehatehatehatehatehate.jpg )
32092
>>32090

If we're calling A New Hope a remake of The Hidden Fortress then the word "remake" has lot all meaning.
>> No. 32094
>>32092

It's as much a "remake", as Naruto is a remake of HunterXHunter. Yes, the story as a whole is not the same, but break it down into it's constituited pieces (characters, plots, themes, tones) and you can see everything is more-or-less copied. It would be as if Picasso cut the Mona Lisa into small pieces and assembled them mosaic-style into Guernica.
>> No. 32097
File 133093484853.jpg - (47.15KB , 600x446 , fuck this shit.jpg )
32097
>>32094

>but break it down into it's constituited pieces (characters, plots, themes, tones) and you can see everything is more-or-less copied.

That's so dumb it gave me a migraine.

I'm out.
>> No. 32102
File 133095286593.jpg - (167.45KB , 720x384 , 2483815054_be0122356d_o.jpg )
32102
>>32090
>>32094
Line up boy, tis time for yer lashin'.
>> No. 32105
>>32094
>It's as much a "remake", as Naruto is a remake of HunterXHunter. Yes, the story as a whole is not the same, but break it down into it's constituited pieces (characters, plots, themes, tones) and you can see everything is more-or-less copied.

Not...not really.
>> No. 32107
>>32090
>>32094

Okay, yeah, A New Hope is not a remake of Hidden Fortress. Like, if you're really stretching it, I can see where you're picking up some similarities, but the two end products are drastically different and unrelated.

Stars Wars itself isn't super-realistic, what with borrowing elements of Arthurian legend, Medieval Knights, Samurai, Pulp, and a nice portion of the standard hero's journey, but Hidden Fortress is not a source.
>> No. 32112
>>32107
>Okay, yeah, A New Hope is not a remake of Hidden Fortress. Like, if you're really stretching it, I can see where you're picking up some similarities, but the two end products are drastically different and unrelated.
As are The Magnificent Seven and A Bug's Life, as remakes of Seven Samurai.
As is A Fistful Of Dollars, as a remake of Yojimbo.
As if John Carpenter's The Thing, as a remake of the original 1950's version of The Thing From Another World.
As is Avatar as a remake of Dances With Wolves, and as is Dances With Wolves as a remake of Broken Arrow.
Just because two incarnations are different in numerous ways in their style, subject, and content doesn't mean one is not a remake of the other.

>Stars Wars itself isn't super-realistic, what with borrowing elements of Arthurian legend, Medieval Knights, Samurai, Pulp, and a nice portion of the standard hero's journey, but Hidden Fortress is not a source.
But it is. Lucas has even said this before in biographies and concept books and other early merchandise media. Yes, Star Wars has many sources and inspirations, and The Hidden Fortress is definitely one of them.
>> No. 32123
>>32112
>As if John Carpenter's The Thing, as a remake of the original 1950's version of The Thing From Another World.

I've just gotta interject a bit here:

John Carpenter's The Thing was actually a much more faithful adaptation of the original sci-fi novella "Who Goes There?", rather than a remake of the 1951 movie.

http://en.wikipedia.org/wiki/Who_Goes_There%3F
http://www.whogoesthere.info/download.php
>> No. 32124
>>32123
This is true. That was perhaps a bad example.
>> No. 32134
File 133116675079.jpg - (20.39KB , 400x400 , ButThatsWrong.jpg )
32134
>Just because two incarnations are different in numerous ways in their style, subject, and content doesn't mean one is not a remake of the other.

The word you are looking for is influence. films from the past influence later films. This does not make the later films remakes of the previous ones.

Ocean's Eleven is a remake. The Amityville Horror is a remake. My Bloody Valentine is a remake. These are retellings of the same story. When you start to include movies that have "similar" broad elements, you stretch the meaning of the word "remake" to the point where it no longer has any meaning at all, like Mary Sue or Hipster.
>> No. 32139
File 133118849014.jpg - (35.33KB , 335x358 , Spidey Let me tell you why that's bullshit.jpg )
32139
>>32134
>The word you are looking for is influence.
No, i'm not talking about influence.

>films from the past influence later films. This does not make the later films remakes of the previous ones.
Agreed. Fritz Lang's Metropolis, for example was an influence on Blade Runner. Stagecoach was an influence on The Seven Samurai. The Searchers was an influence on Saving Private Ryan. The Godfather was an influence on Goodfellas. The adventure serials of the 1930s and 40s were influences on Raiders Of The Lost Ark...The list can go on and on. However, these are not remakes of the inherent stories and their structures presented in the respective films.

>Ocean's Eleven is a remake. The Amityville Horror is a remake. My Bloody Valentine is a remake. These are retellings of the same story. When you start to include movies that have "similar" broad elements, you stretch the meaning of the word "remake" to the point where it no longer has any meaning at all, like Mary Sue or Hipster.
This is not completely true. Yes, a remake can consist of a re-telling of the exact same story with relatively minor deviations or differences, but this is not the sole defining attribute of a remake. A remake is still considered such if it still tells the same inherent story with the same characteristic structure as the preceding story (or film, in these cases) that preceded it. The Magnificent Seven and A Fistful Of Dollars change the feudal Japan settings and Japanese warriors of the original films to Western backgrounds with gunslinger protagonists, not to mention displaying obviously different developments, whilst still maintaining, as i've said, the same inherent story and structural characteristics.
Furthermore, the remakes I noted, including Star Wars, don't exactly share 'broad elements'. They bear definite, attributes with the films they spawned from. The use of mobsters between two movies is a 'broad element'. The narrative perspective of two lowly, weary companions as they travel with a runaway princess, who herself has ties to an important military commander clad in black, on their way to a hidden fortress containing within it substantial destructive power are all specific elements.
>> No. 32140
http://www.avclub.com/articles/topher-grace-edited-all-the-star-wars-prequels-int,70527/
Color me intrigued.
>> No. 32142
>>32140
I know a lot of shit isn't needed in those movies, but I need to see it actually be edited into an enjoyable experience before I believe the prequels can truly be fixed.
>> No. 32149
>>32140
I saw The Phantom Edit and even in that one too much stuff was cut out.

No, compressing three films into 85 minutes is just... that just doesn't work.
>> No. 32175
File 133134468955.jpg - (33.75KB , 658x569 , that_word.jpg )
32175
>>32139

Under that definition, Superman is a remake of John Carter.

The word remake doesn't mean that. That's not the dictionary definition, that's not the commonly accepted popular definition. The word was never intended to mean that. It has a narrowly-defined definition. You are misusing it. If you insist on calling it a remake, you're using a definition that only you use.
>> No. 32215
File 133161121570.jpg - (16.58KB , 500x372 , 1238324218791.jpg )
32215
>>32175
>Under that definition, Superman is a remake of John Carter.
How exactly, under that definition, can you call Superman a remake of John Carter (I'm assuming you're referring to the films, as that is what we're talking about here in terms of remakes. After all, literary 'remakes' are a whole different bag)? I just don't see it, man.

>That's not the dictionary definition
2re·make
noun \ˈrē-ˌmāk\
Definition: one that is remade; especially : a new version of a motion picture
The dictionary definition, at least this one taken from Mirriam-Webster, does not discount what i've said. If anything, it's very vague.

>that's not the commonly accepted popular definition.
No, but that doesn't mean I'm wrong, either.

>The word was never intended to mean that.
The directors of A Fistful Of Dollars and The Magnificent Seven, amongst directors of other such films i've listed, have specifically stated their versions are remakes. This is a known, documented fact. Thus, it very much has been intended to mean that.

>It has a narrowly-defined definition. You are misusing it.
I don't see how.

>If you insist on calling it a remake, you're using a definition that only you use.
Again, film directors and critics have used the term in the same way i've been using it to refer to certain films alongside their predecessors.
>> No. 32220
My personal opinion: FUCK JOHN CARTER. Ever read the books? Both John and Dejah are fully nude at all times. I've said it again and again, get Frank Cho to do a uncensored graphic novel of the Barsoom series. He did a great job on Shanna.
>> No. 32221
File 133166122323.png - (13.77KB , 300x330 , duty_calls.png )
32221
>>32215

Actually, there is nothing that says films have a special definition of "remake." Remake has the same meaning if referred to a book, a song, a film, a play, or any other artistic expression. I was actually referring to the original Superman and John Carter writings, which would be a man comes from another world to find that its properties grants him incredible powers etc., etc., etc. And while those are similar themes that the two works have, much in the same way A New Hope and Hidden Fortress have similar themes, the execution of these themes is substantially different in such a way that they cannot be considered to be the same work "remade"

To remake something, you need to "make it again or differently." I'll agree that is pretty broad terminology. That is why you have to look at the context of how it is used, which is why we use fucking Encyclopedias. Even law statutes can be construed broadly, that's why we have cases and judgments to let us know the boundaries and scope of the definitions. At any rate, according to wikipedia (which, despite its reputation, is the most broadly used encyclopedia): The term "remake" is generally used in reference to a movie which uses an earlier movie as the main source material, rather than in reference to a second, later movie based on the same source.

A remake doesn’t need to have the same title. It doesn’t need to have the characters have the same name. It doesn’t need to have the same setting. However, the further you get away from the original, the less it is a remake. While it doesn’t have to borrow EVERYTHING from a previous work, a remake has to borrow a LOT from the original source material. Just because “The Cohen’s and the Kellys” was a play about two kids who fall in love despite the fighting between two families, one Irish and one Jewish, doesn’t mean it was a remake of “Abie’s Irish Rose.” (Nichols v. Universal Pictures Corp.). It is important to realize that ALL creative works are built by accretion, building on what comes before them, and if you deem anything that shares a similarity to a previous work a “remake” then the term loses all useful meaning.
>> No. 32227
>>32220

>Ever read the books? Both John and Dejah are fully nude at all times.

That... is honestly something I don't think needs to be defended or enforced all that much.
>> No. 32228
>>32220
"Nude" according to the social norms of 1900.

The Martian harnesses of the books are easily adapted into something that say, allows the series to be classified as something besides a porno. They've got fucking POCKETS, large enough to carry all sorts of shit.
>> No. 32229
>>32228
>"Nude" according to the social norms of 1900.
Sorta like how Rose Tyler was, according to Queen Victoria, "Running around naked" in that werewolf episode?
>> No. 32233
File 133169644039.jpg - (514.49KB , 1920x1200 , 125731117424.jpg )
32233
>>32232
Is T&A in an adult graphic novel so evil?
>> No. 32235
>>32233
no but it's not NECESSARY

jeez man take a cold shower or something
>> No. 32238
>>32235
This. Is there a vital plot point where nudity is a must? No? Then whatever.
>>32215
You are getting so many things wrong and mixed up it's not even funny.
>> No. 32260
>>32221
>Actually, there is nothing that says films have a special definition of "remake." Remake has the same meaning if referred to a book, a song, a film, a play, or any other artistic expression.
The same inherent meaning, yes, but literature and film are two different mediums with two different methods of production and storytelling and two different forms of context. What stands true for literature does not necessarily stand true for film with their practices or end results. Naturally, this renders the manner of their characteristics within particular, individual contexts - a remake of a work of literature does not necessarily follow the same form or guidelines as a remake of a work of film.

>And while those are similar themes that the two works have, much in the same way A New Hope and Hidden Fortress have similar themes, the execution of these themes is substantially different in such a way that they cannot be considered to be the same work "remade"
I once again point you to A Fistful Of Dollars and The Magnificent Seven, hell even A Bug's Life, all executed substantially different in the presentation of their thematic elements, and yet still easily distinguishable as remakes of Kurosawa's films. Just because Star Wars and The Hidden Fortress are executed differently does not discount that one is not a remake of the other. What classifies them as remakes is the point that the inherent stories and characteristics of said stories are borrowed/lifted/redone/whatever terminology one wishes to use to retell the story once again, either through the same view or through a different perspective.

>The term "remake" is generally used in reference to a movie which uses an earlier movie as the main source material, rather than in reference to a second, later movie based on the same source.
Forgive me for sounding repetitive, but this definition still does not discount my point of Star Wars being a remake of The Hidden Fortress. Lucas has gone on record before as saying Kurosawa's film was, along with Flash Gordon Conquers The Universe, the main source material from which he drew the elements that would cause him to write Star Wars.

>A remake doesn’t need to have the same title. It doesn’t need to have the characters have the same name. It doesn’t need to have the same setting. However, the further you get away from the original, the less it is a remake. While it doesn’t have to borrow EVERYTHING from a previous work, a remake has to borrow a LOT from the original source material.
Agreed on all points. I simply contest that Star Wars (while indeed unique in man ways compared to The Hidden Fortress) stills bears the same story at its core, and does borrow a significant amount from the two previously mentioned films.

>It is important to realize that ALL creative works are built by accretion, building on what comes before them, and if you deem anything that shares a similarity to a previous work a “remake” then the term loses all useful meaning.
Agreed. The very heart of storytelling lies in building upon the stories we've come to know throughout life. However, I'm not suggesting that 'anything that shares a similarity to a previous work' is definitely a remake. I'm simply saying that context and definitive thematic elements is the key factor in acknowledging such a thing, and that those of Star Wars are directly remade from those of The Hidden Fortress and Flash Gordon Conquers The Universe.

>>32238
I disagree, I don't think I'm mixed up at all. Somewhat accusatory of Lucas and drained of illusions to his 'originality', perhaps, but not mixed up.
>> No. 32266
File 133196241496.jpg - (21.48KB , 416x312 , 1251942120701.jpg )
32266
>>32260
>Forgive me for sounding repetitive, but this definition still does not discount my point of Star Wars being a remake of The Hidden Fortress. Lucas has gone on record before as saying Kurosawa's film was, along with Flash Gordon Conquers The Universe, the main source material from which he drew the elements that would cause him to write Star Wars.
>the main source material from which he drew the elements that would cause him to write Star Wars.

Main source material from which HE DREW ELEMENTS that would cause him to write Star Wars. That is a textbook example of inspiration/using reference, NOT remaking. You are the only person here against 3 or 4 people who insists on your view of what the term "remake" is.
>> No. 32278
File 133208907217.jpg - (33.27KB , 600x400 , Cristoph is at a loss for words.jpg )
32278
>>32266
Good lord, fine. I'm completely wrong. Does that make all of you happy now?
>> No. 32280
>>32278
Yes actually, in this instance it does.
[Return] [Entire Thread] [Last 50 posts] [First 100 posts]


Delete post []
Password  
Report post
Reason