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No. 73416
>>73392
I truth, I have not read/watched Bleach since about halfway through the Soul Society arc... so I don't know what's been going on besides a bunch of ridiculous asspulls.
But asspulls are a MAINSTAY of a lot of long-running works in many genres, particularly shounen (and American comics, too). You can't expect them not to happen. It could be called "bad writing", but then again, it's not any WORSE than anyone else in the business. Oda, Kishimoto, Toriyama, Togashi... they all come up with random plot-solving things every-so-often. Some of them are better-explained than others, but in the end they remain "twist" style developments that are supposed to take the reader by surprise by being completely unprecedented.
Especially with shounen, it literally does not matter how powerful and amazing the big-bad for any particular arc is; he will always end up looking like fodder in front of the guy in the next arc. The heroes, consequently, will have to gain even more power to get to that next level. Unfortunately, usually they've reached the acme of whatever power they currently have, so the only way to cope with the new villian is a "transformation" of some kind. By nature, this will be an asspull, and it's usually an asspull in-universe, too: "What do you mean there is a level BEYOND the beyond a Super Saiyan?!" that takes the other characters by surprise, too. It's supposed to be read as an indication that there are powers and worlds far beyond what the (usually preteen/teen) protagonists have been led to believe, and showing that they're still small-fry in the grand scheme of things, with much growing left to do before they mature.
I mean, it's not like this kind of thing doesn't happen in real life. If a child likes cake and ice cream, and one day when he's ten his parents spring ice-cream-cake on him... it'll blow his little mind. He never could have imagined that such a thing existed, so it may as well have been pulled out his parents' ass; this despite that ice-cream-cake existed in the world for long before he was born.
So in this case, the "asspull" — and magic powers for the hero which comes out of nowhere, enabling him to defeat the new villain — comes from a combination of many factors, some of them similar to real-life, and some of them due to the nature of the genre. Every author uses them from time-to-time, so it's erroneous to fault the writing of one just because he does it, too.
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